Kuedo's debut full-length Severant is a work of determined artistic vision and surprising yet cohesive contrast. There are two major driving forces behind this presentation in the form of dreamy synths that are reminiscent of science-fiction soundtracks of old, and instantly likable yet complex percussive elements drawing from hip-hop and the more footwork-like styles within that realm.
The Vangelis Blade Runner score is an obvious and ever-present touchstone with this work, and that is most definitely an excellent thing; many of the same feelings of intense romantic longing and nostalgia that appear within that iconic piece of songwriting are very much present here, as well. I mean, one of the songs here by the name of "Flight Path" takes the synth-line directly from the closing credits of the before-mentioned film (I noticed this much to my amusement, while re-watching the film, recently). Very analogue synths waft and swirl about this album, putting the listener into a sort of trance, and taking them into a realm of neon lights and dystopia.
The percussive elements within this work are what really seal the deal and make this such an intriguing and enjoyable listen. Speed itself is the most distinct characteristic within this sphere, as there are many moments when programmed hi-hat, snare, and various other drum-sounds reach dizzying speeds far outside the realm of normal human capability. There is something very visceral and invigorating about the pairing of achingly romantic and human synths with unpredictable and robotic hip-hop percussion.
This unique and wonderful work of relevance and hindsight is one that shouldn't be missed on your next nighttime hover-car drive, or otherwise.
C.W.
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