Although music surely conjures mental images in and of itself, a very strong and cohesive image, representing the aesthetic of the music in question, can exponentially increase the resonance of the music with the listener, and serve as a starting-point for unique images that are created by the listener from their own personal experience and aesthetic leanings. Ultimately, album-art can viscerally inform music-content in ways that nothing else can. The mind thrives off of having this spring-board of sorts, that can be used to make the event of listening to an enjoyable album that much more exhilarating.
Film-posters, although working in fundamentally similar ways, do differ from album-art. Most prominently, film-posters move to inform works that are simultaneously visual in nature. Although it is still odd to view a film that completely defies its poster, this can be perhaps less damaging than with album-artwork, if even a bit less so. With films and their connection with their posters, it is more a striving towards fulfilling what has been pre-built within the filmgoer's mind, rather than setting up a sort of foundation or filter. It's more about synergy than foundation-building.
On a more general scale, a crucial part, at least to me, of enjoying the arts as a whole, is to recognize that doing this is about much more than just the work itself. Everything is a collaboration of elements.
C.W.
Indeed. An apt and thoughtful post, good sir.
ReplyDeleteThank you, my dear.
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